In a historic win, Kendrick Lamar on Monday was awarded the Pulitzer Prize in music for his album DAMN. He’s the primary rapper—and non-classical or jazz artist, for that matter—to win the Pulitzer, and the web is delighted.

On its web site, the Pulitzer board praised Rattling. as “a virtuosic track assortment unified by its vernacular authenticity and rhythmic dynamism that provides affecting vignettes capturing the complexity of recent African-American life.”

Some identified that Lamar gained a Pulitzer after shedding to Bruno Mars for the file of the 12 months Grammy Award.

Loads of others celebrated the win for its implications in historical past and artwork.

As Vox factors out, the Pulitzer for music has, unsurprisingly, largely acknowledged our bodies of works by musicians of a specific race and gender. A girl didn’t win the award till 1983, and an African-American didn’t win till 1996.

However Lamar’s win alerts a shift within the Pulitzer Prize Board’s purview to increase past classical music—and is much-deserved recognition for an iconic album.

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